Wednesday, 30 April 2014

Star Wars Episode 7 cast announced

As regular readers of this blog might be aware, I'm a massive fan of the original Star Wars trilogy but I wasn't overly impressed with the prequels (Dude & I re-watched "The Phantom Menace" at the weekend and I still shudder at the ineptness of the 'there was no father' sequence).  When George Lucas sold Lucasfilm to Disney in 2012 I was cautiously optimistic about what might happen (see this blog) and I'm going to give the new film a chance - Lawrence Kasdan is back writing it, the original cast (except Billy Dee Williams) is involved, JJ Abrams is directing, it's been declared there will be more practical fx and so I'm looking forward to seeing what they do with it.

It will also - and this is the biggest draw for me - give me the chance to see a Star Wars film at the cinema with Dude.

Yesterday, Lucasfilm issued a press release with details of the new cast:

The Star Wars team is thrilled to announce the cast of Star Wars: Episode VII.

Actors John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Domhnall Gleeson, and Max von Sydow will join the original stars of the saga, Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels, Peter Mayhew, and Kenny Baker in the new film.

Director J.J. Abrams says, "We are so excited to finally share the cast of Star Wars: Episode VII. It is both thrilling and surreal to watch the beloved original cast and these brilliant new performers come together to bring this world to life, once again. We start shooting in a couple of weeks, and everyone is doing their best to make the fans proud."

Star Wars: Episode VII is being directed by J.J. Abrams from a screenplay by Lawrence Kasdan and Abrams. Kathleen Kennedy, J.J. Abrams, and Bryan Burk are producing, and John Williams returns as the composer


Lawrence Kasdan and Harrison Ford flank J J Abrams (in front of R2), Peter Mayhew is far right with Carrie Fisher to his right, Mark Hamill is on the left (in the check shirt), with Anthony Daniels and Andy Serkis on either side of him.
I'll finish up with what I wrote on the sale of Lucasfilm to Disney in 2012.

My love for “Star Wars” hasn’t been diminished by the prequel trilogy, the expanded universe or the Clone Wars cartoon and so it won’t be diminished by whatever comes in the future.  But how about, for a change, a fan of the original trilogy looks for the positive?  This news means that there will be at least three more Star Wars films made and I’ll watch them, even if they don’t touch me in the same way.  But I’ll be able to take Dude to the cinema to see them, we’ll be able to share that universe together (and he will obviously know the history of it all too) and if it opens up a whole new generation of fans, then my beloved Original Trilogy will live on even longer - and that can’t be a bad thing.

Tuesday, 29 April 2014

Horror 101: The Way Forward

Released today, Horror 101: The Way Forward is a non-fiction guide to the horror genre edited by Joe Mynhardt and Emma Audsley, from Crystal Lake Publishing.  There's a lot of great information in here, from some terrific writers and I was chuffed to be asked to contribute (my essay is about overcoming writers block).

Horror 101: The Way Forward – a comprehensive overview of the Horror fiction genre and career opportunities available to established and aspiring authors.

Have you ever wanted to be a horror writer? Perhaps you have already realized that dream and you’re looking to expand your repertoire. Writing comic books sounds nice, right? Or how about screenplays?
That’s what Horror 101: The Way Forward is all about. It’s not your average On Writing guide that covers active vs. passive and other writing tips, Horror 101 focuses on the career of a horror writer. It covers not only insights into the horror genre, but the people who successfully make a living from it.

Covering aspects such as movies, comics, short stories, ghost-writing, audiobooks, editing, publishing, self-publishing, blogging, writer’s block, YA horror, reviewing, dark poetry, networking, collaborations, eBooks, podcasts, conventions, series, formatting, web serials, artwork, social media, agents, and career advice from seasoned professionals and up-and-coming talents, Horror 101 is just what you need to kick your career into high gear.

Horror 101: The Way Forward is not your average On Writing guide, as it is more focused on the career options available to authors. But don’t fret, this book is loaded with career tips and behind-the-scene stories on how your favourite authors broke into their respective fields.

Horror 101: The Way Forward is perfect for people who:
* are suffering from writer’s block
* are starting their writing careers
* are looking to expand their writing repertoire
* are planning on infiltrating a different field in horror writing
* are looking to pay more bills with their art
* are trying to further their careers
* are trying to establish a name brand
* are looking to get published
* are planning on self-publishing
* want to learn more about the pros in the horror genre
* are looking for motivation and/or inspiration
* love the horror genre
* are not sure where to take their writing careers

Includes articles by Jack Ketchum, Graham Masterton, Edward Lee, Lucy A. Snyder, Emma Audsley, RJ Cavender, Scott Nicholson, Weston Ochse, Taylor Grant, Paul Kane, Lisa Morton, Shane McKenzie, Dean M. Drinkel, Simon Marshall-Jones, Robert W. Walker, Don D’Auria and Glenn Rolfe, Harry Shannon, Chet Williamson, Lawrence Santoro, Thomas Smith, Blaze McRob, Rocky Wood, Ellen Datlow, Iain Rob Wright, Kenneth W. Cain, Daniel I. Russell, Michael McCarty, Richard Thomas, Joan De La Haye, Michael Wilson, Francois Bloemhof, C.E.L. Welsh, Jasper Bark, Niall Parkinson, Armand Rosamilia, Tonia Brown, Ramsey Campbell, Tim Waggoner, Gary McMahon, V.H. Leslie, Eric S Brown, William Meikle, John Kenny, Gary Fry, Diane Parkin, Jim Mcleod, Siobhan McKinney, Rick Carufel, Ben Eads, Theresa Derwin, Rena Mason, Steve Rasnic Tem, Michael A. Arnzen, Joe Mynhardt, John Palisano, Mark West, Steven Savile, and a writer so famous he’s required to stay anonymous.

Published by Crystal Lake Publishing
Edited by Joe Mynhardt and Emma Audsley
Cover art by Ben Baldwin
eBook formatting by Robert Swartwood

Final line-up:
Foreword by Mort Castle
Making Contact  by Jack Ketchum
What is Horror  by Graham Masterton
Bitten by the Horror Bug by Edward Lee
Reader Beware by Siobhan McKinney
Balancing Art and Commerce by Taylor Grant
From Prose to Scripts by Shane McKenzie
Writing About Films and for Film by Paul Kane
Screamplays! Writing the Horror Film by Lisa Morton
Screenplay Writing: The First Cut Is the Deepest by Dean M. Drinkel
Publishing by Simon Marshall-Jones
Weighing Up Traditional Publishing & eBook Publishing by Robert W. Walker
Glenn Rolfe Toes the Line with Samhain Horror Head Honcho, Don D’Auria by Glenn Rolfe
Bringing the Zombie to Life by Harry Shannon
Audiobooks: Your Words to Their Ears by Chet Williamson
Writing Aloud by Lawrence Santoro
Ghost-writing: You Can’t Write It If You Can’t Hear It by Thomas Smith
Ghost-writing by Blaze McRob
The Horror Writers Association - the Genre's Essential Ingredient by Rocky Wood
What a Short Story Editor Does by Ellen Datlow
Self-Publishing: Making Your Own Dreams by Iain Rob Wright
Self-Publishing: Thumb on the Button by Kenneth W. Cain
What’s the Matter with Splatter? by Daniel I. Russell
Partners in the Fantastic: The Pros and Cons of Collaborations by Michael McCarty
The Journey of “Rudy Jenkins Buries His Fears” by Richard Thomas
Writing Short Fiction by Joan De La Haye
A beginner’s guide to setting up and running a website by Michael Wilson
Poetry and Horror by Blaze McRob
Horror for Kids: Not Child’s Play by Francois Bloemhof
So you want to write comic books… by C.E.L. Welsh
Horror Comics – How to Write Gory Scripts for Gruesome Artists by Jasper Bark
Some Thoughts on my Meandering within the World of Dark and Horror Art by Niall Parkinson
Writing the Series by Armand Rosamilia
Running a Web serial by Tonia Brown
Reviewing by Jim Mcleod
Avoiding What’s Been Done to Death by Ramsey Campbell
The 7 Signs that make Agents and Editors say, "Yes!" by Anonymous
The (extremely) Short Guide to Writing Horror by Tim Waggoner
Growing Ideas by Gary McMahon
Filthy Habits – Writing and Routine by Jasper Bark
A Room of One’s Own – The Lonely Path of a Writer by V.H. Leslie
Do You Need an Agent? by Eric S Brown
Ten Short Story Endings to Avoid by William Meikle
Submitting Your Work Part 2: Read the F*****g Guidelines! by John Kenny
Rejection Letters – How to Write and Respond to Them by Jasper Bark
Editing and Proofreading by Diane Parkin
On Formatting: A Concise Guide to the Most Frequently Encountered issues by Rick Carufel
How to Dismember Your Darlings – Editing Your Own Work by Jasper Bark
From Reader to Writer: Finding Inspiration by Emma Audsley
Writing Exercises by Ben Eads
The Year After Publication… by Rena Mason
Writing Horror: 12 Tips on Making a Career of It by Steve Rasnic Tem
The Five Laws of Arnzen by Michael A. Arnzen
The Cheesy Trunk of Terror by Scott Nicholson
How to be Your Own Agent, Whether You Have One or Not by Joe Mynhardt
Networking at Conventions by Lucy A. Snyder
Pitch to Impress: How to Stand Out from the Convention Crowd by RJ Cavender
You Better (Net)Work by Tim Waggoner
Friendship, Writing, and the Internet by Weston Ochse
Buttoning Up Before Dinner by Gary Fry
How to Fail as an Artist in Ten Easy Steps by John Palisano
Writer’s Block by Mark West
Be the Writer You Want to Be by Steven Savile
Afterword by Joe Mynhardt

The ebook is available from Amazon and the Crystal Lake Publishing website

Monday, 28 April 2014

The Mystery Of The Dead Man's Riddle, by William Arden

Since 2014 marks the fiftieth anniversary of The Three Investigators being published, I thought it’d be enjoyable to re-read and compile my Top 10 (which might be subject to change in years to come, of course).  I previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here), but this time I will concentrate on my favourite books and try to whittle the best ten from that.

So here we go.
Collins Hardback First Edition (printed in 1975), cover art by Roger Hall
Suddenly there was a loud crash and the houseboat lurched violently.

“We’ve broken loose!” cried Bob.  To their horror, the three boys saw they were already ten feet from the shore - and gathering speed rapidly.

“The dam!” Bob yelled.

A low roar grew louder.  Straight ahead the racing water of the creek surged over the dam in a thunderous mass.  There was nothing to stop them being swept to their deaths.

illustration from the Collins/Armada
editions, by Roger Hall
When local ‘wealthy eccentric’ Marcus ‘Dingo’ Towne dies, his will is revealed to be a challenge, with the person who finds his fortune able to keep it.  The boys are caught up in the hunt when Mr Andrews gives Bob an advance copy of it (to be published in the LA Times the next day) and also because Alfred Hitchcock (to his great displeasure) is named as an executor.  They are retained by Towne’s daughter-in-law Nelly and her fiancé Roger Callow (a lawyer) to find the fortune and assisted along the way by Nelly’s son Billy, who wants to be a detective himself.  The only problem is that the challenge is a set of six riddles, most of them written in rhyming slang (Towne’s father was a Cockney, though he was shipped to Australia as a convict) and once the news breaks, it seems that half of Rocky Beach is looking for the clues too.

This is the sixth entry in the series by William Arden (the pen-name of prolific mystery writer Dennis Lynds) and is, to my mind, pretty much perfect with a very sturdy mystery at its core.  Though hidden by good use of rhyming slang (something that I, as a kid, wasn’t aware of), the clues are clever and well realised and it’s fun to see how Jupiter cracks each one (though Billy manages to do a couple himself).

Staying close to home (often a benefit), this sends the boys all over Rocky Beach and the city is well described, with a great use of location in several sequences.  One of these is the key set piece (and the basis of all the cover art I’ve ever seen), where the boys are trapped on an old houseboat on the dam of the Ynez Creek.  It’s tightly written and exciting, allowing Pete to shine and builds the suspense up superbly (though the book makes it clear they’re ten feet from the bank, the artwork has them much further out).

There’s a lot of bright characterisation - especially Billy Towne, Dingo’s eight-year-old grandson who knows all about the Three Investigators and ends up a fourth partner (and wears a cape and deerstalker), Turk & Mr Savo and Dingo’s niece and nephew, the awful Winifred & Cecil Percival, two nasty piece of work English villains - along with some nice interplay between the boys.  The book also has a good sense of humour about it, typified by Pete’s eating habits and it runs at a cracking pace (I read the first half in one sitting and the time just flew by).  After opening on Bob writing up their last case (the search for Mrs Hester’s ring), we see the boys at school (and find out that Jupiter is president of the Science Club) and old favourite the Ghost-to-Ghost hook-up makes another appearance - and is used again by Billy, at a critical point of the story, where he makes his headquarters a phonebooth.

Featuring a well realised climax on the SS Queen Of The South, this is a cracking read, with a great sense of pace and I highly recommend it.

left - Armada format A paperback (printed between 1979 and 1980), cover art by Peter Archer
right - a US only illustration (by Jack Hearne) showing the boys arriving at Dingo Towne's place, after the riddle is published and the treasure hunters are out in force (see credit below)
Armada format B paperback (printed between 1982 and 1985), cover art by Peter Archer
(cover scan of my copy, 1983 impression)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)
US illustration, by Jack Hearne, thanks to Philip Fulmer at the T3I Readers Site

Thursday, 24 April 2014

Cold Turkey, by Carole Johnstone

In a new edition of the occasional series, I want to tell you about a book that I've read and loved, which I think adds to the horror genre and that I think you'll enjoy if you're a fan.

“I saw him Mr Munroe.” A sly look lit up Jimmy’s blinking eyes. “He’s always chasing you.”

Raym’s hand froze in front of his chest, creeping back up towards his throat again. “What?”

“In a funny square van.” The kid blinked, blinked, blinked. He wooshed his hands either side of his body like he was starting a drag race, and Raym flinched again. “It’s got black tails – really, really looong ones, like party streamers!”

All Raym wants to do is give up smoking. So why is his entire life falling apart? Why are new mistakes and old terrors conspiring against him? Why is he being plagued by the very worst spectre from his childhood? And why does giving up suddenly – horrifyingly – feel much, much more like giving in?

Raym Munroe has been a smoker since he was eight and even though he’s lost both parents - heavy smokers themselves - to cancer, he can’t seem to give the habit up.  But now he’s determined to and he’s doing to do it cold turkey.  A teacher at the school he went through as a kid (the Head teacher is the same man), he’s stuck in a dead-end job, in a dead-end town and tolerating a relationship with Wendy, who he’s been with since University.  They don’t like each other at all but that’s the way Raym’s life goes - he’d rather live with being unhappy than make a change.  As he begins to suffer nicotine withdrawal symptoms (though he’s more concerned with the ‘junk’ the Chinese put into their cigarettes) he begins to have what he believes are hallucinations, where he’s pursued by a spectre from his childhood, Top Hat the tally man.  This monster is tall and skinny (and beautifully captured on the cover art), with his crooked top hat and overlong tails and his hideously extended fingers “as sharp as dressmaking scissors” and appears to Raym in both his dreams - which are very well done in themselves - and chasing him as he walks to school.  It’s only when two children, both of them misfits, say that they can see Top Hat too that Raym realises his entire life is starting to crumble.  His dreams of the man become more vivid and after a particularly harrowing one - where Top Hat has ‘Imperial Superkings’ for fingers and burns Raym’s arms - he carries the same wounds into real life.  Sent by the head to see a hypnotherapist, who tells him it’s his brain fighting against itself, Raym not only starts losing hours from his life (corresponding to sneaky fag breaks) but he is assigned an LSA, a pretty young woman called Caitlin “Cate” MacDonald.  It’s not long before Raym and Cate are having an affair - their initial tryst, in an alley behind the local pub, is both grubby and erotic - but he thinks he can get away with it, slotting their time into the ‘lost’ hours.

This is an excellent novella, beautifully constructed and filled with wonderful little moments of humour- Raym braved the staff room with all the stoicism of a soldier shoved screaming over the top.  The characterisation is precise and clever - Raym isn’t generally a nice man (especially with Wendy and Cate) but you somehow willingly follow him and feel sympathy for his plight - and there’s a nice use of dialect too (especially the key phrase “Yer tea’s oot!”).  The male viewpoint is well captured and when everything goes wrong for Raym during the Easter Fayre, it all happens in a perfectly pitched sequence that is embarrassing and funny and painful but which you cannot look away from.

Johnstone doesn’t shy away from the dark side of things though, with some unpleasant sequences and an occasion of brutally shocking violence, as reality and fantasy intertwine until Raym (and the reader) are never quite sure what is actually happening and what’s imagination.  As an ex-smoker (and someone who loved King’s “Quitters, Inc”), Raym’s reactions and thought processes really rang a bell with me and I would suggest that this is written by someone who fully understands the pain of quitting smoking, even when you want to.  Top Hat is a superb creation, a ghoul who looks as if he’s stepped complete from a nightmare and it’s a testament to Carole Johnstone’s skill that she can make excellent use of something fundamental to your childhood - the ice cream van and the nursery rhyme Hickory Dickory Dock - and corrupt them both completely, making each one frightening and unpleasant.  Superbly written, with a great feel for character, dialogue and location, this is a great read and I highly recommend it.


Monday, 21 April 2014

My friend Nick

Sometimes, I think, we don't talk enough about friends and what they mean to us, especially those that go back a long way in our lives.
detail of school photograph, Rothwell Juniors, 1977
with Nick on the left
I met Nick Duncan in September 1976, on the first day of junior school, just after my family had moved from Corby to Rothwell.  I don't know why Mrs Reid, our teacher, sat us next to each other - I didn't know absolutely anybody - but I'm really glad she did.  We became firm friends that day and, I'm happy to say, we still are.

Our friendship has been a bit of a rollercoaster at times but none of the 'downs' were that terrible with hindsight and most of the ups form the anecdotes of my life.  After school, he joined the RAF and moved away and that was a wrench, having to get used to a long-distance friendship.  This was in the late 80s and when we got bored of writing letters, we'd send each other taped messages - at least one side of a D90, occasionally padded out with new songs that we liked.  I still have some of them, though I haven't listened to one for years (just in case the tape snaps).  To this day, I've never quite got used to the distance - he now lives in Bristol - though that phrase, when you meet up again it's like you were never away, is entirely true.

Nick is my brother-from-another-mother and as kids, we spent so much time in each others houses that you often got fed by whichever Mum was in your orbit.  I was his Best Man, he was mine, he's Dude's godfather and - thankfully - he and Alison get on brilliantly well.

He hasn't had the best of times over the past couple of years and, on occasion, our friendship has really been tested - on both sides - but he's through it now, happier than I remember him being for a while and we're already planning adventures for the summer.

Today is his birthday.  I have known him for 38 years of his 45 and I hope we're best friends for at least the same amount again!

Off on a bike ride, 1987
Barnstaple, 2009


Market Harborough 2013

Happy birthday mate!

Thursday, 17 April 2014

From little acorns...

Stephen King has been on my mind the last few weeks, with my re-reading of "Carrie" (read my review here) and my essay up at Matthew Craig's excellent #CarrieAt40 thread (which you can read here).  Following yesterday's blog post, I was having a little Facebook discussion with Ross Warren, Anthony Cowin, Andrew Murray and Alison Littlewood and we started talking about our personal top 10 favourite King books.  Then I posted this...

Here's an idea - Ross, Anthony, Andrew, Alison - how about next year, we declare it a Stephen King year. Twelve of us, we each pick one book and then blog a review/essay on it and link back to each others blog.  What do you think?

"More reviews?  Really?"
Well, they all thought it was a very good idea whilst I was wondering whether or not I could get twelve people interested enough in the project to take part.  Turns out, that wasn't something I should have worried about at all as within an hour, I'd filled all twelve spots with people who'd asked to be involved.

Ross made the suggestion of rather than hosting it on various sites, we have a dedicated blog for the reviews so I set one up and Willie Meikle gave it the perfect title "King For A Year".  I asked a few more people if they'd like to take part, yet more people came forward of their own volition and by the end of last night, I'd filled 24 spots.  As I write this now, we have 36 reviewers.

Alison later tweeted me "from little acorns..." and I'm really pleased that the idea of the blog has taken off so well.  The concept of it is very simple - you pick your favourite King book (novel, novella, whatever) and write a review of it and all of them will be posted throughout the year in 2015.

Some reviews you might agree with, some you probably won't but hopefully they'll lead the reader to some new titles they haven't tried before.

I hope you, dear blog reader, will dip in and out to see what people have to say about "the bloke who writes the scary stuff" and I hope it entertains you.  I'll remind you nearer the time when it's about to start but for the moment, the blog is up with a holding page here - http://kingreviews2015.blogspot.co.uk/

And just to whet your appetite further, here's the list of confirmed reviewers (so far):

Anthony Cowin, Stephen Bacon, Jenny Barber, Matthew Craig, Donna Bond, Mihai Adascalitei, Willie Meikle, Maura McHugh, Gary McMahon, Sarah Langan, James Everington, Selina Lock, Adele Wearing, John Llewellyn Probert, Lynda E. Rucker, Mark West, Kim Talbot Hoelzli, Jay Eales, Thana Niveau, Alison Littlewood, Phil Sloman, Steven Savile, Ray Cluley, Johnny Mains, Liz Barnsley, Jim Mcleod, James Bennett, Carole Johnstone, Andrew Murray, Cate Gardner, K. T. Davies, Ross Warren ,Sheri White, Colin F. Barnes, Simon Bestwick, Richard Chizmar


I'm looking forward to this...

Wednesday, 16 April 2014

Carrie At 40

Further to my review of "Carrie" (which I blogged here), my essay on the novel has now gone live at Matthew Craig's readerdad.co.uk site as part of his Carrie At 40 celebrations.

I was pleased to be asked, pleased to be in such sterling company and very pleased that I finally got round to reading Stephen King's first published novel.

You can read my essay at Matthew's site here.

Tuesday, 15 April 2014

The Unquiet House, by Alison Littlewood

In a new edition of the occasional series, I want to tell you about a book that I've read and loved, which I think adds to the horror genre and that I think you'll enjoy if you're a fan.


Mire House is dreary, dark, cold and infested with midges. But when Emma Dean inherits it from a distant relation, she immediately feels a sense of belonging. 

It isn’t long before Charlie Mitchell, grandson of the original owner, appears claiming that he wants to seek out his family. But Emma suspects he’s more interested in the house than his long-lost relations. 
And when she starts seeing ghostly figures, Emma begins to wonder: is Charlie trying to scare her away, or are there darker secrets lurking in the corners of Mire House?

The house was built for love, but love never came to fill it.  Something else did...

The book opens with Emma, who has just lost both of her parents and inherited Mire House from an uncle - Clarence Mitchell - she never knew.  Bereft and alone, she embraces the challenge of setting up a new house, seeing it as a way to escape the past and start again.  Occasionally prone to light flights of fantasy - she remembers her Mum saying “You’re being fanciful, Emma” - she is disturbed to find an old suit and pipe in a cupboard in her bedroom, which always seem to be there, even after she’s thrown them away.  Mire House is next door to a rundown church and when she explores it, she meets Frank before going out to investigate the graveyard.  Under an old Yew tree, she finds a bench with an inscription - “My God, my God, why hast Thou forsaken me?  Matthew 27:46”  Then she hears voices and sees things in Mire House that she can’t explain and it seems as though something from the past might be reaching out to take her hand.

The book is told in four parts, with the bookends being the Emma sequences which are both set in 2013.  Part 2 - 1973 focusses on Frank Watts (the man from the church), who is 11.  Investigating Mire House, Frank meets Mr Owens, who lives there alone, sitting in the drawing room all day in his old suit, smoking a pipe as he mourns his lost wife.  Striking up an odd friendship, this is shattered when Franks friend Sam - who’s 12 and manipulative and sly - persuades him to steal something from the house, threatening Frank’s younger brother Mossy.  What happens after this is genuinely heartbreaking on several levels and I felt like I had a bit of dust in my eye.

“Part 3 - 1939 The Last Stook” is the story of Aggie, Frank’s Mum, who is 16 years old and living in the farm just up the road from Mire House.  There’s a tangible air of sadness to this section, for the doomed Mrs Hollingworth who is having Mire House built and also for Aggie’s brother and friends who are called up to the war that is just starting.  With the ‘second’ Mrs Hollingworth taking in evacuees - amongst them a very young Clarence Mitchell - Aggie begins to see a dark woman in the cemetery, under the Yew tree and this vision leads to another terrible, gut-wrenching conclusion.

The separate sections are vivid and full of life, easily standing as independent novellas and while this style works wonderfully for the book - and immerses the reader completely in the well-realised times - it’s also my one area to quibble, that we spend so long away from Emma (almost 300 pages) it takes a while to get back into her rhythm.  Having said that, part four works beautifully, setting up a painfully poignant note before moving swiftly and with complete assurance to an unexpected - and frightening - conclusion.

“The Unquiet House” is filled with writing that is assured and stylish, with barely a word wasted and long sequences take place without any dialogue, adding to the sense of unease and melancholy that the novel seems to exude.  With some nice touches - most of the dialogue is written as dialect, which is interesting - a keen sense of location and atmosphere - the house, the mire and the church are characters unto themselves - and a nicely deliberate pace that keeps you on the edge, this is told with verve by a writer spreading her wings and surely taking off for ever greater success.  Dark and spooky, with touches of humour and a knowing sense of family life and dynamics, this is an excellent novel and I highly recommend it.

Monday, 14 April 2014

The Mystery Of The Screaming Clock, by Robert Arthur

Since 2014 marks the fiftieth anniversary of The Three Investigators being published, I thought it’d be enjoyable to re-read and compile my Top 10 (which might be subject to change in years to come, of course).  I previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here), but this time I will concentrate on my favourite books and try to whittle the best ten from that.

So here we go.
Collins Hardback First Edition (printed between 1969 and 1971), cover art by Roger Hall
A room full of clocks and they all scream…why?

A new mystery for Jupiter, Pete and Bob to unravel but they haven’t much to go on - a torn message in code, a recording of Bert Clock’s glass-shattering scream and the theft of several valuable paintings - a thin collection of clues and time is running out…

A great illustration inside Headquarters,
as Bob, Jupe and Pete try to crack Bert
Clock's riddles
Sorting through some junk that Uncle Titus has just brought in, Jupe plugs in an electric clock and it screams at him, bringing his colleagues running.  Deciding that a screaming clock is a good start to a mystery, the boys try to track down where it came from and the trail leads them to the home of Bert Clock, once a voice-actor on radio famous for his ear-piercing screams.  But Clock has gone, presumed dead, leaving his house cared for by Mrs Smith and her son Harry.  Harry's father is in prison, jailed for a theft he didn't commit and when an old adversary of the Three Investigators - not to mention a handful of ruthless criminals - enters the picture, it suddenly seems that the clock might hold clues to not only his innocence but to lost treasures too.  The boys, with Harry's help, must solve Bert Clock's riddles before time runs out!

With a fantastic opening line - “The clock screamed” - this is a great story and whilst not as sensational as other entries in the series, it is thoroughly entertaining.  Playing to Robert Arthur's strengths, this sticks resolutely close to home (following the trip to Varania in the previous book) and takes full advantage of the Junkyard, Headquarters and the sunny climes of Rocky Beach and Los Angeles.  Arthur plots a solid mystery and the boys detecting skills are showcased perfectly, though some of the clues do seem to rely heavily on chance.  Characterisation is first rate and it’s good to see Hugenay again (after “The Mystery Of The Stuttering Parrot” - it’s a shame he never appeared again), though his adversary Mr Jeeters is a surprisingly nasty piece of work (especially with the threats he makes to Jupiter and Bob).  As always with Arthur, there's a tinge of poignant nostalgia (in this case, the golden-era of radio plays) but that gives the story a bit more heart.  With some well written action sequences, nice interplay with the lads and two footnotes to previous cases, this is a thoroughly enjoyable read and definitely one of the better entries in the series.  Highly recommended. 


the Armada paperbacks, both with cover art by Peter Archer
left - format a, printed between 1971 and 1979 - right - format b, printed between 1980 and 1985

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)

Friday, 11 April 2014

Goodbye Sue Townsend, RIP

Late last night, Sue Townsend passed away at her home following a short illness.  She hailed from Leicester (sequences of the original Adrian Mole TV show were filmed there) and although I never got to meet her (I wish I had), her writing really spoke to me.  I read "The Secret Diary Of Adrian Mole, aged 13 3/4" in 1983, when I was thirteen - and it was brilliant, funny, sad and a work of genius (plus it had the lovely Pandora Braithwaite).

There's nothing else to say except that in 2012, as part of the Adrian Mole 30th anniversary, I re-read the original novel and it's sequel and went to an exhibition of her papers at the University of Leicester with Dude and our friend David Roberts.  And since she was a great writer, maybe that's the best memorial we can give her, to remember the joy of reading that she gave us (and think of all those people who picked up this book as the first one they chose for themselves, leading them - perhaps - to a lifetimes joy of the written word).

The Secret Diary Of Adrian Mole, aged 13 ¾
Starting in 1981, this follows Adrian Mole from being the eponymous age to his fifteenth birthday, detailing every incident in his life over that period.

I first read this in 1983 (making me the same age as Mole - in the book, he mentions that his father is 41 making me 2 years older as I re-read it) and it’s just as bright, inventive and funny today as I remember it being back then.  From his complete self-absorption - he faithfully reports on his parents marriage breakdown, without realising what’s going on - to his obsession with spots, from his trying friendships to first love with the enigmatic and beautiful Pandora Braithwaite, this is as accurate a portrayal of a teenaged boy as I can remember reading (I’ve kept a diary since 1981 and sometimes Adrian’s entries could have been lifted my mine).

Funny, poignant and never less than readable, this is highly recommended.

The Growing Pains Of Adrian Mole
Picking up the day after “The Secret Diary” ended, this volume contains plenty of turmoil in Adrian’s life - his mum and Stick Insect are both pregnant, which leads to the break-up of his parents marriage, there’s paternity issues on his sister Rosie (rat fink Lucas maintains she is his), his relationship with Pandora hits the rocks and he briefly ends up in Baz’s street gang, before running away to Manchester.

Slightly darker in tone than the first volume - the Falklands War is dealt with well - Adrian’s typical self-absorption means that it’s up to the reader to put together what’s happening and that helps the story well.

Still a lot of fun - with the added bonus to me that there are several references to my locale, namely on a Skegness holiday, their friend comes from Corby and one of Adrian’s letters is delayed when the mail train gets derailed in Kettering - this is a cracking read and very much recommended.

The following photo's were taken by David and myself at the University of Leicester, 27th October 2012.
originally called Nigel Mole
Wonderful artwork
Introducing a new audience...


RIP, Sue Townsend, you will be missed.


source - http://www.bbc.co.uk/news/entertainment-arts-26982680

Thursday, 10 April 2014

Dude and those little moments...

I think it’s fairly obvious to most people who know me that I love fatherhood - Dude & I have a great relationship and I treasure it deeply.  He’s nine this year and I don’t know where the time’s gone, to be honest, but he’s managed to grow up to become a sharp, funny, caring, adventurous kid.

Some things are lifted straight from me & Alison - in his own words, he’s an “80s kid” when it comes to music (a teacher at his school played “Living On A Prayer” during a music lesson and he was the only one who knew the words) - but he has clearly defined tastes of his own and it’s intriguing to see what he likes and dislikes.

One thing that hasn’t changed is our shared love of adventures, from the train-chasing of a few years back, to the bike rides and exploring now.  Last night, I got home late from work and needed to get a new bicycle pedal but he looked crestfallen when I said we might not be able to go for a bike ride.  So we raced to Kettering, were in and out of Halfords in record time and managed to get on our ride (even if it was slightly abridged).  When we got home, as twilight was gathering, he wanted to play football so we had a kickabout in the garden (we call our variation of the beautiful game "Dudeball" because it has - shall we say - fairly elastic rules).

I stood on the patio and watched him as night came in and the ball got harder and harder to see.  Most of the time we were laughing but occasionally he’d ask me to show him something - to improve his headers, or watch his high kicks - and I looked at him and realised this was one of those moments.

You know those moments - we all get them - the ones where, when you look back, they take on a significance out of proportion with what you’re actually seeing.  I was watching an eight year old kid trying to kick his football as high as he could and laughing when it disappeared past my outstretched fingers and over next doors fence.  That was the reality but I was also watching an eight year old boy, playing with simple delight and making his mid-forties Dad feel vibrant and alive and young-at-heart.

I love being a Dad and I love my Dude, though I do often wish that time would slow down, even if just a little bit...

Monday, 7 April 2014

Carrie, by Stephen King

As astonishing as it might sound, Saturday 5th April marked the 40th anniversary of "Carrie" being published.  For various reasons, it was one of King's novels that I'd never got round to reading so when I was approached by Matthew Craig (http://readerdad.co.uk) to take part in his Carrie At 40 celebrations, I decided now was as good a time as any.

My article on the book will appear on Matthew's site on Wednesday 16th April (don't worry, I'll remind you...), but in the meantime, to celebrate the occasion, here's my review of Stephen King's debut published novel.

N.E.L. paperback (1986 edition)
“Nobody was really surprised when it happened, not really, not at the subconscious level where savage things grow.”

“Carrie” is a deceptively simple novel, told in an epistolary format that takes in accounts from academic textbooks, a commision report and Sue Snell’s autobigraphy (“My Name Is Sue Snell”, published in 1986) and set in the then near-future of 1979 (though I couldn’t work out why).  There are no chapter breaks but the book is broken into three parts.

Part 1 – Blood Sport opens on Carrietta White, who has lived her life abused not only at home (by her unstable, religious zealot mother Margaret) but also by virtually everyone she comes into contact with, from classmates, to passers-by and teachers.  Carrie is 16 and, to everyone’s disbelief, is experiencing her first period, which terrifies her.  Not quite understanding why, her classmates taunt and jeer at her, throwing tampons and sanitary towels at her (“Plug it up, plug it up!”) to cover their own disgust.  Her teacher, Miss Desjardins (perhaps the most sympathetic adult in the book), tries to help but Carrie is sent home where her mother beats her, locking her away to pray for forgiveness.  But the start of menstruation seems to have also unlocked a latent talent in Carrie (which she has been able to harness, briefly, in the past) for Telekinesis.  As her classmates are put into detention, one of them - a bully called Chris Hargensen - plots revenge and the course of the story is set in that one moment, with everything afterwards leading inexorably to destruction.

Sue Snell, another classmate who was involved in yelling “Plug it up!” feels terrible about the incident and asks her boyfriend Tommy to take Carrie to the prom.  And this act of simple friendship and making amends, seals their fate.

Part 2 - Prom Night.  Chris and her greaser boyfriend Billy Nolan go to a local farm and kill two pigs, collecting their blood and placing it in buckets over the stage.  They rig the vote for Carrie and Tommy to win “Prom King & Queen” and as they sit on their thrones, all hell literally breaks loose.

Part 3 - Wreckage, follows the devastation that comes to the town once Carrie has left the Prom.  I won’t give away what happens but since the ending is alluded to through the course of the book, it’s safe to say that Carrie makes her feelings of injustice felt and no-one is safe.

King himself has commented that he finds the book to be "raw" and "with a surprising power to hurt and horrify” and I’d agree, it’s a harsh novel that looks at high school life with an eye for the viciousness that’s present in everyone (King was teaching at the time, so we can assume he was writing what he saw).  He paints the outsider well, the desperate need to close in on yourself as the world gathers around you, joking and taunting and life seems full of things that you don’t quite understand.

Sue Snell is essentially good and does what she does for the right reasons, though she pays the price of losing her boyfriend and his unborn child.  Tommy is a good kid, a jock with heart who isn’t actually hurt by Carrie though I found it troubling that she spent the last part of the novel thinking that he’d set her up.  The real horror, though, is in the characters of Chris and Billy.  She is very manipulative, using sex to get what she wants but in Nolan she’s finally met her match, since he’s not one of the frat boys who will roll over and do everything she wants him to.  In fact, I think he’s the real monster of the story and his casual violence is key to that.  On nights when his Mum and her latest boyfriend are arguing, he takes off cruising for stray dogs, later putting his car away with “its front bumper dripping”.

But everything, of course, centres around Carrie.  In my minds eye she looks, obviously, like Sissy Spacek but that’s not the picture King paints.  His Carrie is “a chunky girl with pimples on her neck and back and buttocks, her (wet) hair completely without colour.  She looked the part of the sacrificial goat, the constant butt” and at one point, she “looked around bovinely”.  She wants to get on with her life and fit in, she craves for normality and tries to be rebellious but nothing ever really seems to work.  Her menstruation not only brings her powers to a level she can control, it also opens the world up to her a little more, even if it’s just teasing glimpses.  She feels stronger, she takes a stand with her mother but part of the novels cruelty is that she never quite achieves what she wants to.  It changes her though and other characters, as well as the reader, sees this.  When Tommy asks her out, she seems different and he can’t quite work it out and when he goes to pick her up (in a beautifully written moment), she seems comfortable in her own body for once.

Margaret White looms over the whole book, cruelly abusive and living in fear of God in a house chock full of gruesome religious imagery.  Adding to the overall feel of unease are little throwaway moments that impact heavily, from Margaret’s actions to Billy Nolan and his dripping bumper.  There’s also a quick line about a character seeing a drunk in New York, saddled with a goitre who is leading away by the hand a little girl with a bloody nose and I found that image heartbreaking.

King is quoted as saying of the book “it reminds me of a cookie baked by a first grader — tasty enough, but kind of lumpy and burned on the bottom."  As a seasoned horror reader, coming to this fresh, I would say that it’s a pretty damned good cookie.

Strikingly well written, with a wonderfully tight plot that runs like clockwork as the pieces fall into place, this is a terrific read that I wish I hadn’t waited forty years to get to.  Very highly recommended.

Friday, 4 April 2014

Three Peanuts collections, from Coronet

Following on from my post a fortnight ago for Tracy, about Charles M. Schulz and Peanuts, I thought I'd blog reviews of the three Coronet paperbacks that I've recently read.

Although Coronet wasn't the only Peanuts publisher in the UK, it's the one I most associate with them since it's the run that Tracy collected (I think at least two or three titles were published a year, if not more) and in the past few years (thanks to car boot sales, 2nd hand bookshops and ebay), I've started building my own collection too (as, in a nice touch, has Dude).

I read four or five titles a year and they're great - funny and enjoyable in their own right, but also because they bring with them a wonderful sense of nostalgia.

How Does She Do That, Charlie Brown? by Charles M. Schulz
Another excellent collection, this time selected from “You’re Weird Sir, volume 2”, it was published in 1985 (I read the 1988 Coronet edition), though the originals date back to 1981.  Featuring most of the gang, with a fairly well spread level of exposure, this is often laugh-out-loud funny and also contains several of those trademark Schulz moments of poignancy (Charlie Brown, alone in the rain, at the baseball field).  Highlights for me include trying to find Woodstock’s mum and his response to Snoopy wondering if he’s a dove, Lucy sulking in her beanbag, Snoopy as a lift operator, the Masked Marvel playing golf, Woodstock discovering Atlantis at the bottom of Snoopy’s waterdish, Lucy floating away with bubblegum, a bug sportsday in Snoopy’s waterdish, Sally worrying about school, “Dogs can do lots of things that birds can’t do!” and Linus’ splinter.  There’s also a wonderful panel, of Snoopy and Charlie Brown sitting in a beanbag, that is just perfect.  Wonderfully witty, funny and occasionally melancholic but with a really grand spirit, this is one of the better collections and I can’t recommend it highly enough.

Stay With It, Snoopy, by Charles M. Schulz
A top quality collection, selected from “Summer’s Fly, Winter’s Walk, vol 3”, I have the 1981 Coronet edition though the originals appeared between 1976 and 1977.  Set in the run-up to - and just after - Christmas, this features most of the gang enjoying the season and captures the spirit of it well.  Often very funny, it also has a few splashes of the melancholy that Charlie Brown often brings to the proceedings (he wants to see Lucy at her psychiatry booth but it’s too cold for her, so he talks to her stand-in snowman instead).  The highlights for me include Snoopy and Woodstock talking about Thanksgiving (Woodstock pretends to be a dog), Snoopy and Woodstock in the snow, Sally’s letter to Father Christmas, Peppermint Patty’s book report, Snoopy’s present of a trilby from Sally (the cover image), Snoopy’s morning after Woodstock’s New Years Eve party (“I didn’t fall in love, I drank too much ginger beer and I feel thirty years older”), Snoopy’s Cheshire beagle trick (that goes wrong) and Linus meeting up with Truffles again (and the helicopter escape, with Snoopy and Woodstock).  Warmly nostalgic, pitch perfect, funny and poignant and immensely readable, this is a great collection and I highly recommend it.

You're A Brave Man, Charlie Brown, by Charles M. Shulz
I hadn’t planned on reading another Peanuts book for a while but Dude finished this last night and loved it so much he suggested I read it straight away.  I’m glad I took his advice.  With selected cartoons from “You Can Do It, Charlie Brown, vol 2”, this 1970 Coronet edition (we read the 1975 seventh impression) features strips that were originally published in 1962 and 1963 and it’s a superb read.  It’s very amusing (there are a couple of Snoopy related incidents that made me laugh), there’s plenty of Charlie Brown’s melancholy to ground it and since this was written before Peppermint Patty appeared, we get other good characters, like Violet and Patty and Frieda (with her “naturally curly hair”).  The book starts at Christmas, as the kids think about the season - Lucy’s letter to Santa is amusing, her complaint that the years go by too fast echoes my own thoughts - and there’s a lovely moment (the panel is inscribed “Merry Christmas”) where Charlie Brown leaves a turkey in Snoopy’s bowl.  Highlights for me include Linus’ ‘blanket-hating’ grandma, the ethics of baseball - and supporting Charlie brown, the latch of Snoopy’s kennel breaking, Linus and the cattle business, plus what happens when he misses the honor roll, the joys of a new baseball season, Mrs Van Pelt getting a new pool table (with a tangerine coloured cloth) and Snoopy and the spider (Dude’s favourite strip in the book).
My favourite strip was Sally, being introduced to the concept of libraries by Charlie Brown - “Happiness is having your own library card!”  Wonderfully nostalgic, superbly written and drawn, funny, poignant and memorable, this is a terrific collection and I can’t recommend it highly enough.

A full list of the Peanuts paperbacks from Coronet Books can be found at Goodreads on this link and my Goodreads reviews of the same can be found on this link.

The back covers
left to right - Stay With It Snoopy cost 75p in 1981 whilst How Does She Do That, Charlie Brown? cost £1.95 in 1988

Wednesday, 2 April 2014

The Secret Of The Haunted Mirror, by M. V. Carey

Since 2014 marks the fiftieth anniversary of The Three Investigators being published, I thought it’d be enjoyable to re-read and compile my Top 10 (which might be subject to change in years to come, of course).  I previously read all 30 of the original series from 2008 to 2010 (a reading and reviewing odyssey that I blogged here), but this time I will concentrate on my favourite books and try to whittle the best ten from that.

So here we go.
Collins Hardback First Edition (printed in 1975 and never reprinted), cover art by Roger Hall


A harsh noise inside the darkened hall made Jupiter turn.  He could see nothing.

Something laughed.  A greenish light flickered in the library, and suddenly Jupiter found himself staring down through the doorway and into the hideous mirror.  He saw grey, matted hair, a face whiter than death, and wide, green, glittering, mocking eyes.  Jupiter froze with horror - IT WAS THE GHOST!
illustration from the Collins/Armada
editions by Roger Hall

On their way home from a buying trip with Uncle Titus, The Three Investigators see the Rolls Royce they use standing outside a grand house.  When a burglar runs out, pursued by Worthington, Pete gives chase but the criminal escapes.  The house belongs to Mrs Darnley, a grand Dame who collects mirrors and, having heard of the boys, takes them on a tour of the mansion which was built for Drakestar, a very well known magician.  Her latest acquisition, stored in the library, is the Goblin Glass, an ugly framed mirror that once belonged to a Spanish magician named Chiavo, who lived in Madrid two hundred years ago.  But now sinister laughter is heard in the library whilst the house is asleep and Mrs Darnley has seen the glowing ghost of Chiavo in the mirror.

I think this, the fourth book in the series by M. V. Carey, is a great addition and it’s one of my favourites because it buys into its premise so completely, with a ghost in a mirror, a thunderstorm and a house built for a long-dead magician.  Of course, if you don’t go in for that kind of all-or-nothing pulpy approach, your mileage may vary but who can resist a scary looking “goblin glass” which appears to be cursed by an embittered sorcerer?

The atmosphere is well handled - especially the sequences in the Darnley household with the library and the sense of mirrors -  and her use of location is very good.  In fact, the book dots around Los Angeles quite a bit - an old farmhouse, a hotel on Beverly & Sunset, a pier and warehouse at San Pedro - but still finds time for Headquarters, which Carey always deals so well with.

Although Mrs Darnley and her grandchildren Jean & Jeff get a little short-changed, there’s some great characterisation, including a prize quote from Worthington - “Master Pete prefers to avoid unnecessary vexation” - and Henry Adnerson, a bakery delivery driver, is well handled.  It was also nice to have a cameo from Dr Barrister, who appeared in ‘The Mystery Of The Singing Serpent’, though I was surprised that the calling card isn’t used (or, at least, not shown to the reader - did that happen in any of the other books?)  The ending, with Jupe using Sherlock-Holmes-level detecting skills to find a kidnapped Jeff is well handled with plenty of tension and capped by a wonderful ‘what did he see?’ moment where the kidnapper has a surprise (though the denouement following this is lumbered with overlong exposition).

With top notch writing and some nicely spooky sequences, a smart mystery and a cracking pace, this is a fun read and highly recommended.
left - Collins Hardback Second Edition (printed in 1979 and never reprinted), cover art by Roger Hall
right - Armada format A paperback (printed and reprinted in 1979 only), cover art by Peter Archer
Armada format B paperback (printed in 1981 and reprinted in 1982), cover art by Peter Archer
(cover scan of my copy)

The internal illustrations for the UK edition were drawn by Roger Hall.

Thanks to Ian Regan for the artwork (you can see more at his excellent Cover Art database here)